INTERVIEW: Rob Savage On The Dangerous Darkness Of “THE BOOGEYMAN” By RYAN COLEMAN Darkness upon darkness, sheaths of black gauze enclose each frame like a dance of veils. Occasionally a TV screen clicks on, filling the room with an eerie, static glow. An orb of soft...
TIFF ’22 Movie Review: “THE MENU” is a Lot of Sizzle Without the Steak By RYAN COLEMAN “We’re all gonna die tonight, right?” Ralph Fiennes booms to his kitchen staff, as a dozen rich people look on with terror in their eyes. The staff chants back in...
TIFF ’22 MOVIE REVIEW: Kevin Williamson Makes an Incredible Return to Form with “SICK” By RYAN COLEMAN Starring Gideon Adlon, Bethlehem Million and Jane AdamsDirected by John HyamsWritten by Katelyn CrabbOriginal Story by Kevin WilliamsonMiramax,...
Cannes 2022 Review: “ENYS MEN” is a Visionary Slow Burn Folk Horror By RYAN COLEMAN Starring Mary WoodvineWritten and Directed by Mark JenkinFilm 4 In 2019, Cornish director Mark Jenkin burst onto the international film stage with his exceptional first...
Matt Leal On “ShadowMarsh” and DIY Filmmaking By RYAN COLEMAN Fresh off the release of their techno slasher Hacked, Matt Leal and Matthew Festle, the dynamic duo behind Three Keys Media are back, with something altogether darker, deeper, and more...