The Haitian voodoo past isn’t dead in Bertrand Bonello’s hybrid triumph; it’s alive and well at a French boarding school.
COLOR is the more successful of the two, while THE TURNING completely falls apart at the ending.
Gille Klabin's Fantastic Fest selection stars Justin Long as a hapless lawyer on a very strange trip.
NO LONGER HUMAN is a visceral career highlight from the twisted imagination of Junji Ito.
BALLET BLANC, the sixth feature from directorial star-on-the-rise Anne-Sophie Dutoit, is a release which unfortunately falls short.