By: MADDI MCGILLVRAY
Starring Takuya Kimura, Hana Sugisaki and Sôta Fukushi
Written and directed by Takashi Miike and Tetsuya Oishi
Warner Brothers and HanWay Films
Horror has seen the rise of several influential filmmakers who have impacted both the genre and the film world as a whole, but few are as prolific as Japan’s Takashi Miike. The taboo busting mastermind that shocked audiences around the globe a decade ago with his controversial masterpieces Audition (1999) and Ichi The Killer (2001) has remained a consistent presence in film. His latest, an adaptation of the popular Japanese manga series Blade of the Immortal, marks his 100th film.
Miike casts one of Japan’s biggest stars, Takuya Kimura, as Manji, a highly skilled samurai who is blessed/cursed with immortality. After a battle that resulted in the deaths of one hundred men, a mythical old crone implants ancient bloodworms inside of Manji, which allow him to heal himself and grow back his own limbs. Fifty years later, Manji meets a young girl named Rin (Hana Sugisaki), whose parents were killed by a group of master swordsmen led by the ruthless warrior Anotsu (Sôta Fukushi). Rin bears a striking resemblance to Manji’s deceased sister and he promises to help her avenge the death of her parents.
Blade of the Immortal successfully merges the over-the-top conventions of samurai films with Miike’s flare for violence. The fight scenes are breathtaking and action-packed, with every battle feeling different and inventive. Each of Manji’s opponents wield an array of unusual weaponry that adds to their individuality – they also add great rewatch value! Most notable is the film’s jaw dropping twenty-minute-long final battle sequence, which reportedly involved over 300 people and took more than two weeks to film.
The acting also is well delivered, with Takuya giving a near spotless performance as Manji. While protagonists in samurai films often have super-human abilities that make them nearly impossible to defeat, Manji’s personal dilemma is compelling in the way that he is plagued by his immortality. He is not an immortal in the same way as superheroes like Wolverine, but more like someone who is forced to stay and stuffer on Earth forever. Despite his endearing chemistry with Hana Sugisaki, who also delivers a strong performance, it is Sôta Fukushi who is the surprise scene stealer with his quiet, soft spoken demeanour and androgynous appearance.
Whether you are familiar with the original source material or not, Blade of the Immortal is a true mark of Miike’s prolific career. It combines his penchant for bloodspatter and close-up shots of severed limbs and may even earn the title as 2017’s film with the largest bodycount.